The folks who brought you the original Strada Easel back in 2013 are now offering a more compact design called the Strada Mini, and they've asked me to post a review. I've had an opportunity to test the Mini in the field and in short, my impressions are all positive. For more information about the original Strada easel read my review of it here.
Disclaimer: While I have received no renumeration for posting this review it is only fair I disclose the fact the manufacturer is a friend of mine and that he sent me a complimentary easel to test last week. However, neither my long-standing relationship with the designer nor the easel itself colored this review. If you have questions about the Strada Mini I invite you to share them in the comment section below. I will respond...
A quick review of the Strada Mini...
Cons: By itself the Mini provides a restricted area to mix your colors. (I purchased two of the optional shelves and used them to increase my mixing area. Combined, the shelves and the Mini offer one of the largest plein air palettes on the market and completely resolved my one concern. The photo above shows the system I tested.)
A more in-depth review of the Strada Mini...
The Mini, like its bigger brother, is a variation of the clamshell easel used by many plein air pros today. A clamshell design is hinged along the opposite side, opens and closes like a clam, and combines a painting support with a mixing palette immediately below. It is an efficient easel for small to medium sized panel paintings and convenient to set up and tear down out in the field, making it a popular solution for plein air painters.
Design and Build-Quality:The designer and manufacturer of the Mini is a well-recognized plein air painter who spends a lot of time outside painting. He set out to create the easiest to use, robust plein air easel you can imagine, while tempering that goal with making it as light as possible, and reasonably affordable. Towards that end, the Mini is constructed out of a substantial gauge aluminum bent and welded into a strong form, painted in a neutral gray, with some of the sliding parts anodized for durability. The all-important friction hinges consist of stainless steel and any element or form that does not serve a functional purpose has been stripped away, leaving behind an easel free of unnecessary bells and whistles.
Ease of Use:
There is enough friction built into the hinges to prevent the painting support from excessively wiggling as you work. I (unscientifically) compared the amount of movement of the Mini against the other clam-shell easels I own and found it to be comparable. I wanted to look at this issue closely because I am sensitive to easel movement, yet I was able to quickly adjust to any minor wiggle by lightening up my touch with the brush. In the end, I would favorably compare the bounce of a Mini to painting on a stretched canvas, meaning it feels similar in the give and take.
The Mini can hold a canvas or a panel tightly against the lid, although in general I prefer to paint on a rigid supports, not stretched canvas. I was able to fit panels up to 1/4 inch thick, gessoed or lined with cotton or linen, which means your art standard commercial painting supports should be fine. The mini is limited to stretched canvases using a 3/4 inch stretcher bar so deeper 'gallery wrap' canvases won't work.
The Mini can easily accommodate a painting 16 inches high, and perhaps a little bit taller if you want to push the limit. The t-bar holds the top and bottom of your canvas or panel in place using compression and friction so the higher up you extended the bar the less friction there is available. Theoretically, there is no horizontal limit to what the Mini will support, but the wider you go the more wiggle you will encounter along the outermost edges, and, in extreme cases, movement caused by the wind could become a factor. However, most folks paint between 6 x 8 and 16 x 20 inches in the field and the Mini is a good fit for that size range. If you plan to paint larger than this in the field then you should consider another easel design altogether. (In truth, no single easel can meet your every need. At this point I have seven outdoor easels. Ha!)
So why choose the Mini over its bigger brother?
|© New Line Cinema|
No easel is ever perfect so here are some alterations I plan to make to my Mini...
If you are an avid reader of this blog then you know I am all about the mod. I believe in getting the best gear you can, but also modifying it when necessary. (FWIW, this review is based on a stock Mini I have not modd'ed...yet.) I am not crazy about the plexiglass inserts you are expected to mix on because I know they easily scratched by a palette knife or a razor. This is not a minor point because those scratches fill up with wet paint and thus pollute your lighter tints. The manufacture of the Strada recommends, and even includes, a plastic razor blade for you to try – which I did and immediately put aside – but even if you do limit yourself to plastic razor blades you will still scratch the plexiglass with your palette knife. So the stock plexiglass goes and I will caulk in some high-impact auto glass in its place, or perhaps start mixing directly on the aluminum surface itself. If you decide to stick with plexiglass I recommend you caulk it in place anyway. The double-stick tape provided by the manufacturer didn't hold the plexiglass in place in the cold temperatures I was painting in.
I am really pleased that the side shelves nest together and create a separate enclosed shell. This means I can pre-load my palette(s) in the studio, or at the car, and leave a lot of tubed paint behind, lightening the load overall. (You've heard the old backpacker's adage, "Worry about the ounces and the pounds will take care of themselves." Yes? I kid you not, I used to cut my toothbrush in half before heading out on a 7 day trek, so I know it works...) The nested shelves can also protect your leftover paint on the way home, which is another thoughtful consideration by an intelligent designer. However, as the shelves are produced right now, they fit together a tad too tightly and can be difficult to pull apart without a separate tool so I think it is likely crusty paint could glue them together if I am careless. I plan to drill a finger hole in the inner shelf, or weld a hinged ring on the bottom so I can pull the shelves apart if it becomes necessary. In truth, this is a nice problem to have to solve.
In any case, both are easy mods to make and something I will discuss with the manufacturer directly. He is responsive to customer suggestions and has already made a number of improvements to his Strada line so I don't see him resting on his laurels now.
So what is the bottom line here?...
The Strada Mini is an terrific option for any plein air painter, from the novice who is just starting out, to the advanced artist who has years of experience. It is not often you see such significant and concrete improvements to a time-tested and universal design unless they are achieved by the use of a new material or improved build-quality. In the case of the Strada Mini, its excellence arises out of three aspects: the aluminum, the bomb-proof build-quality, AND a few real design innovations. Those friction hinges and the self-locking t-bar system make the Mini a pleasure to use.
I highly recommend it.
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