If you have ever met me in person then you know I am all about the cross-disciplinary approach to making art. Filmmaking, photography and design can inform the painter, as well as music, theater, and dance, plus the sciences, mathematics, and philosophy – and even individual or team sports, to mention a few.
And then there is writing. Both fiction and non-fiction. In the end it all comes down to creating interesting associations within the mind of your audience, and maintaining a semblance of clarity as you do so.
Wait...okay, so what does this have to do with painting? Well, if you simply substitute the word painting for the word writing, and are willing to make a few other metaphorical leaps from the pen to the brush, then what Zinsser has to say turns into sound advice for the young artist as well.
Because when teaching writing, Zinsser valued simplicity, efficiency, and enthusiasm. All of which are essential to the painter as well. Here is his checklist:
1. Don’t make lazy word choices: “You’ll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want.”
2. On the other hand, avoid jargon and big words: “Clear thinking becomes clear writing; one can’t exist without the other. It’s impossible for a muddy thinker to write good English.”
3. Writing is hard work: “A clear sentence is no accident. Very few sentences come out right the first time, or even the third time. Remember this in moments of despair. If you find that writing is hard, it’s because it is hard.”
4. Write in the first person: “Writing is an intimate transaction between two people, conducted on paper, and it will go well to the extent that it retains its humanity.”
5. And the more you keep in first person and true to yourself, the sooner you will find your style: “Sell yourself, and your subject will exert its own appeal. Believe in your own identity and your own opinions. Writing is an act of ego, and you might as well admit it.”
6. Don’t ask who your audience is…you are the audience: “You are writing primarily to please yourself, and if you go about it with enjoyment you will also entertain the readers who are worth writing for.”
7. Study the masters but also your contemporaries: “Writing is learned by imitation. If anyone asked me how I learned to write, I’d say I learned by reading the men and women who were doing the kind of writing I wanted to do and trying to figure out how they did it.”
8. Yes, the thesaurus is your friend: “The Thesaurus is to the writer what a rhyming dictionary is to the songwriter–a reminder of all the choices–and you should use it with gratitude. If, having found the scalawag and the scapegrace, you want to know how they differ, then go to the dictionary.”
9. Read everything you write out loud for rhythm and sound: “Good writers of prose must be part poet, always listening to what they write.”
10. And don’t ever believe you are going to write anything definitive: “Decide what corner of your subject you’re going to bite off, and be content to cover it well and stop.”
In my mind, after reading this it would be a mistake to think one artistic pursuit is inherently more unique than any other.